Is filmmaking possible in a country like Ecuador? Is there an audience in Latina American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest subsidized movie did not find commercial distribution. He embarks on a filmic query to find answers to his questions and relief for his despair. He speaks to film critics, to the manager of the national cinematheque and to passersby… His research leads him to a giant contraband market in the port city of Guayaquil where pirated movies from all over the world are sold for one dollar.